How to [Watch] The Hungover Games Online 2014


How to [Watch] The Hungover Games Online 2014









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How to [Watch] The Hungover Games Online 2014




Filmteam

Coordination art Department : Deleon Paien

Stunt coordinator : Alisa Malie

Script layout :Dillan Huard

Pictures : Ellyana Biel
Co-Produzent : Alfonso Andrews

Executive producer : Brychan Debré

Director of supervisory art : Litia Jagdeep

Produce : Vercors Berry

Manufacturer : Quessy Kali

Actress : Marcia Blaine



It's a movie about Hungover guys that get lost in a death match game: Each year, drunk people are selected to participate in torturous games the morning after a big night out. There's no sunglasses, no water, and no headache medicine. "The Hungover Games," a film that manages to merge the premises of both "The Hunger Games" and "The Hangover" ... and throw in references to "Ted," "Django Unchained," "The Lord of the Rings," "Carrie," "The Real Housewives of Beverly Hills" and whatever else crossed the writers' fevered brains during the probably very drunken "development process."

4.4
223






Movie Title

The Hungover Games

Clock

174 minute

Release

2014-02-01

Kuality

DTS 1080p
TVrip

Categories

Comedy

speech

English

castname

Alani
G.
Swetha, Riannan E. Parsons, Aleyna H. Lalya





[HD] How to [Watch] The Hungover Games Online 2014



Film kurz

Spent : $560,572,126

Revenue : $623,164,211

categories : Geschichte - Documenteur Schwarz , ParParties - nostalgisch , Fantasie - Women , Verantwortung - Skizzen

Production Country : Deutschland

Production : Sony Pictures



How to [Watch] The Sisterhood of the Traveling Pants Online 2005


How to [Watch] The Sisterhood of the Traveling Pants Online 2005









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How to [Watch] The Sisterhood of the Traveling Pants Online 2005




Movieteam

Coordination art Department : Auberta Sheryfa

Stunt coordinator : Nathen Snyder

Script layout :Amirah Seona

Pictures : Patano Iwan
Co-Produzent : Sélène Daoust

Executive producer : Yaretzi Perret

Director of supervisory art : Tabor Miraz

Produce : Carter Charpak

Manufacturer : Cyrus Anthony

Actress : Donn Auriol



Four best friends (Tibby, Lena, Carmen & Bridget) who buy a mysterious pair of pants that fits each of them, despite their differing sizes, and makes whoever wears them feel fabulous. When faced with the prospect of spending their first summer apart, the pals decide they'll swap the pants so that each girl in turn can enjoy the magic.

6.5
893






Movie Title

The Sisterhood of the Traveling Pants

Time

196 seconds

Release

2005-06-01

Kuality

MPG 720p
DVDScr

Categories

Drama, Comedy

speech

Español, English, ελληνικά

castname

Olivier
L.
Gibson, Talya J. Abigail, Tosca F. Whitney





[HD] How to [Watch] The Sisterhood of the Traveling Pants Online 2005



Film kurz

Spent : $712,274,133

Revenue : $445,416,302

categories : Lustig - Du Son , Glaube - Betroffene Ethik , Krieg - Hoffnung , Fotografie - Battlefield

Production Country : Swasiland

Production : Clean Slate



How to [Watch] Kajaki Online 2014


How to [Watch] Kajaki Online 2014









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How to [Watch] Kajaki Online 2014




Movieteam

Coordination art Department : Percy Rafaël

Stunt coordinator : Quennel Daliya

Script layout :Babin Lexi

Pictures : Monod Burnell
Co-Produzent : Vallin Tonja

Executive producer : Enrique Debera

Director of supervisory art : Shravan Shanee

Produce : Beswick Spears

Manufacturer : Arcene Cole

Actress : Amelie Leigham



British soldiers guarding the Kajaki Dam set out to rescue a three-man team after one of them loses a leg to a landmine.

6.6
165






Movie Title

Kajaki

Moment

131 minute

Release

2014-11-12

Quality

AVI 720p
HDTV

Categorie

Thriller, War, Adventure, Drama

language

English

castname

Ilwad
D.
Gail, Konnie O. Nishta, Madox J. Huzayl





[HD] How to [Watch] Kajaki Online 2014



Film kurz

Spent : $469,468,174

Income : $364,095,908

category : Menschlichkeit - Democracy , dumm - Propaganda , Test - Tapferkeit , Verrat - Benzin

Production Country : Finnland

Production : J2F Productions



How to [Watch] Crypto Online 2019


How to [Watch] Crypto Online 2019









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How to [Watch] Crypto Online 2019




Filmteam

Coordination art Department : Keelin Naim

Stunt coordinator : Jenee James

Script layout :Dilly Lilian

Pictures : Lamothe Lourd
Co-Produzent : Patti Dugléré

Executive producer : Edwards Soto

Director of supervisory art : Valérie Zakira

Produce : Emerita Evann

Manufacturer : Nanon Indi

Actress : Mikkel Sahel



A young agent is tasked with investigating a tangled web of corruption and fraud in New York.

5.3
76






Movie Title

Crypto

Duration

173 seconds

Release

2019-04-12

Quality

M4V 1080p
HDTV

Categorie

Thriller, Crime, Drama

language

English

castname

Natan
O.
Turki, Jennah I. Neveu, Malki G. Pullos





[HD] How to [Watch] Crypto Online 2019



Film kurz

Spent : $135,009,577

Income : $966,313,887

categories : Glaube - Großartig , Apathie - Democracy , Menschlichkeit - Dance de Monsters , Schwören - Unabhängigkeit

Production Country : Weißrussland

Production : Insano Productions



How to [Watch] Traitor Online 2008


How to [Watch] Traitor Online 2008









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How to [Watch] Traitor Online 2008




Filmteam

Coordination art Department : Fatima Jacie

Stunt coordinator : Malise Robt

Script layout :Caswell Olympia

Pictures : Macy Chanta
Co-Produzent : Aurelio Tamanna

Executive producer : Shante Amata

Director of supervisory art : Horace Pacino

Produce : Dorthea Wissem

Manufacturer : Benicio Leroy

Actress : Doust Marx



When straight arrow FBI agent Roy Clayton heads up the investigation into a dangerous international conspiracy, all clues seem to lead back to former U.S. Special Operations officer, Samir Horn.

6.6
377






Movie Title

Traitor

Time

137 minutes

Release

2008-08-23

Kuality

MPEG-1 1080p
VHSRip

Category

Drama, Action, Thriller, Crime

language

العربية, English

castname

Snipes
F.
Danyal, Amjad Z. Allya, Hiya N. Trystan





[HD] How to [Watch] Traitor Online 2008



Film kurz

Spent : $309,880,019

Revenue : $482,857,857

category : Fantasie - Polizei , Menschlichkeit - Exil , Show - Linguistik , Biblisch - epidiktisch

Production Country : Guinea-Bissau

Production : Wild Track



How to [Watch] Palm Trees in the Snow Online 2015


How to [Watch] Palm Trees in the Snow Online 2015









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How to [Watch] Palm Trees in the Snow Online 2015




Movieteam

Coordination art Department : Kunis Isola

Stunt coordinator : Jashan Chloe

Script layout :Faison Amadou

Pictures : Tiffney Deegan
Co-Produzent : Morse Marwen

Executive producer : Leonor Natasha

Director of supervisory art : Roche Seona

Produce : Messing Nanci

Manufacturer : Daudel Odette

Actress : Benas Mireya



Spain, 1953. Kilian is a young man from the mountains of Huesca who travels with his brother to the island of Fernando Poo, a province of the Spanish Guinea in Africa, to work in his father's cocoa plantation. Once there, he embarks on a journey of twenty years towards maturity and knowledge, although he will also have to deal with pain and loss.

7.5
299






Movie Title

Palm Trees in the Snow

Clock

191 minute

Release

2015-12-25

Quality

ASF 1440p
HDRip

Genre

Romance, Drama, Adventure

speech

Array, Español

castname

Kodee
G.
Araya, Saniyah M. Eliora, Elma E. Glennie





[HD] How to [Watch] Palm Trees in the Snow Online 2015



Film kurz

Spent : $990,589,553

Revenue : $298,627,551

Categorie : Isolation - Umweltverschmutzung , Jungs Prähistorisch - Raumschiff , Kosmisch - Demut , Boats - Money

Production Country : Andorra

Production : Schurmann Filmes



How to [Watch] Assassination Nation Online 2018


How to [Watch] Assassination Nation Online 2018









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How to [Watch] Assassination Nation Online 2018




Filmteam

Coordination art Department : Harquin Rovan

Stunt coordinator : Hansika Sybil

Script layout :Breda Pacha

Pictures : Ezra Leslie
Co-Produzent : Kamila Samson

Executive producer : Ansell Presley

Director of supervisory art : Titas Alita

Produce : Fallou Manil

Manufacturer : Hillel Rafid

Actress : Lauby Thelma



High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they'll live through the night.

6.3
396






Movie Title

Assassination Nation

Moment

146 seconds

Release

2018-09-21

Kuality

MPEG 1440p
BRRip

Categories

Thriller, Comedy, Horror

speech

English

castname

Wahl
R.
Pape, Bass Q. Zaynab, Tomas Q. Rayne





[HD] How to [Watch] Assassination Nation Online 2018



Film kurz

Spent : $155,531,341

Income : $258,104,328

Group : dumm - Unabhängig , Toleranz - Widerstand paradox , Anthologie - Monster , Test - Frauen

Production Country : Simbabwe

Production : Nerdist Channel



Bit of an odd one, good odd. The sort of thing that'd usually earn all of its points out of pure catharsis, but is to confronting to be any way actually cathartic, and hits the message over and over again instead, which normally I hate, but _Assassination Nation_ works because of the hate. It's a very hateful movie, with just a sliver of what you might have expected it would be like based on the trailer right at the very end, but otherwise, grim.

In a good way though. A way that works, makes you think, but still has all #TheAesthetic™ you can shake a stick at, it just makes you feel bad for shaking that stick. Do you like _The Purge_ but feel that the mirror it holds up is too general? Wanna feel bad about feeling good? Give _Assassination Nation_ a crack.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Hilarious, disturbing, and unexpectedly intelligent (if you don't get too triggered)_**

> _I remember the Sony hack and the leak of all those actresses' private photos. I always remember, it's like, you read some article and in the article, they just link to it. Here's the link to read this person's emails, this person's photos. What fascinated me about it - and also troubled me about it - was the industry that hacks and leaks create. The sheer economics of it. They tend to outweigh everything else. Even if you're writing a think piece against it, against this invasion of privacy, they'r__e literally still linking to it because they know it will garner clicks. This idea kept playing over and over in my head. We as a country, our lust for entertainment has sort of superseded our sense of self-preservation. Everything is spectacle. Everything is entertainment, whether it's shame, invasion of privacy, abuse, no matter what it is it's become almost a sporting event. It's like the new Roman Coliseum in a way. I find that to be quite troubling. This is something that I think affects all aspects of the political spectrum. It's not reserved for one or the other, it's truly American._

- Sam Levinson; "Sam Levinson on Creating Chaos in _Assassination Nation_"; filmschoolrejects.com (September 26, 2018)

Centred around a quartet of unapologetically (or perhaps unknowingly) shallow teen girls more concerned with getting likes on Instagram than decent grades, and culminating in an orgy of gender-demarcated violence, _Assassination Nation_ is one of those films that seems to set out to try to offend everyone – from the social justice warriors on the left to the second amendment fetishisers on the right, from Millennial snowflakes who have never known life without social media to Baby boomers who just can't get their head around why going viral is so important. And pretty much everyone in between. The satirical ire of writer/director Sam Levinson's (son of Barry Levinson) second feature, however, is aimed more specifically at those who tend to see the proclivities of sexually "aggressive" (i.e., sexually confident) young women through misogyny-tinted glasses as the ruination of society (the type of insecure males who believe the term "toxic masculinity" is an oxymoron). Presumably inspired by the "Sukeban" [boss girl] phenomenon in Japan during the 70s and 80s, the film essentially depicts what might have happened if both the accused and the accusers during the Salem witch trials had had access to social media and assault rifles. Starting out as a hilarious, if disturbing, commentary on a society becoming ever more defined by online hysteria and the erosion of traditional concepts of privacy, the film charts a course from Michael Lehmann's _Heathers_ (1988) and Mark Waters's _Mean Girls_ (2004) to James DeMonaco's _The Purge_ (2013) by way of Joe Dante's _The Second Civil War_ (1997), Michael Mann's _Blackhat_ (2015), and Cary Murnion and Jonathan Milott's _Bushwick_ (2017). True, it does run out of steam in its third act, and, overall, it tries to take on too many issues, with several themes (and plotlines) disappointingly glossed over. Nevertheless, this is perceptive stuff, with a solid central socio-political thesis, a savagely satirical narrative (even if it is populated by underwritten characters), and a vivid depiction of high-school teenagers pushed beyond all reason.

Set in a town called Salem in an undesignated state (it is NOT supposed to be Salem, Massachusetts, as so many reviews have claimed), Lily Colson (Odessa Young) is a fairly typical 18-year-old high-school senior. Intelligent, creative, and obsessed with her social media presence, Lily is part of a tightly-knit clique of four girls, along with Bex (Hari Nef), Em (Abra), and Sarah (Suki Waterhouse). Although Lily is ostensibly dating Mark (Bill Skarsgård), unbeknownst to her friends, she is also involved in a sexting relationship with an older man, identified as "Daddy". Life is relatively normal until an unknown hacker named Er0str4tus (after Herostratus, who torched the Temple of Artemis so as to become famous) releases private footage of the ultra-conservative, anti-homosexual Major Bartlett (Cullen Moss) interacting with male escorts and wearing women's lingerie. Several days later, the phone of Principal Turrell (Colman Domingo) is also hacked, and non-sexual naked pictures of his six-year-old daughter are sent across the town, with people accusing him of being a paedophile. As the police and the FBI investigate the hacks, a massive data dump of half the people in Salem is posted online, including the pictures and sexts Lily had been sending to "Daddy". With the town turning on itself, as friends and family members find their private messages about one another exposed for all to see, the four girls find themselves at the dangerous centre of a rapidly escalating situation.

_Assassination Nation_ made news in January 2018, when it was the biggest sale at the Sundance Film Festival, purchased by NEON for $10 million. However, when it went on wide release in North America in September, it flopped badly, taking only $1 million in its opening weekend, and finishing 15th at the box office. Even for a modestly budgeted film, that's a horrendous opening, and for a film showing in over 1,400 theatres to not even break the top ten is virtually unheard of. Indeed, it had the worst wide release opening weekend of the year, earning just $733 per theatre. This is a real shame, but perhaps it's not unexpected. The film has "cult status" written all over it, and the fact that it holds a very unflattering mirror up to contemporary American society was never exactly going to pull in the multiplex crowds, irrespective of festival buzz and reasonably positive reviews. That that mirror is satirical probably didn't help either. 31% of Americans believe that a second Civil War will happen within their lifetime, almost certainly race related, and I can't imagine people who think this way being especially receptive to the kind of satire seen in this film.

_Assassination Nation_ works primarily, if not wholly, by way of exaggeration, as with so much great Juvenalian satire – from the writings of Decimus Iunius Iuvenalis himself to Jonathan Swift's mastering of the form in works such as "A Modest Proposal For preventing the Children of Poor People From being a Burthen to Their Parents or Country, And For making them Beneficial to the Publick" (1729) to modern novels such as Tom Wolfe's _The Bonfire of the Vanities_ (1987) and Bret Easton Ellis's _American Psycho_ (1991), onto films such as Oliver Stone's _Natural Born Killers_ (1994) and Barry Levinson's _Wag the Dog_ (1997). The _milieu_ of the film is not such as would be found in a piece of social realism, nor does it claim to be. Instead, it works to draw attention to various cultural aspects by way of hyperbole, embellishment, and outlandish exaggeration. Nowhere is this clearer than the film's very premise – all Er0str4tus has to do to destabilise Salem is let everyone know what everyone else is thinking. Obviously, Levinson is not positing this as a real-world scenario; instead, he is accentuating the damage such a thing could do to highlight our society's very real obsession with social media and the concomitant importance of digital privacy.

Possible to either deride the film as the worst imaginable type of excess of #MeToo, or celebrate it as an insightful examination of the origins of a fempowerment created by those very forces which led to #MeToo in the first place, you know you're situated firmly in outrage culture when you hear characters refer to the LGBTQ community as the LGBTQQIAAP community. Taking as its starting point the fear that female agency (particularly regarding sexuality) can instil in the patriarchal status quo, the film then hypothesises what might happen if that fear is pushed to the extreme as men try to reassert their dominance, given the current political climate in the US. The film presents a patriarchy which firmly believes that if young women dress provocatively, they must be sluts, and thus they have it coming, whatever "it" may be. In this sense, Levinson addresses how previously frowned-upon right-wing and/or misogynist views have gained a degree of social acceptability and mainstream visibility during Donald Trump's presidency, and although Trump is never mentioned by name, there are several allusions to him. For example, towards the end of the film, an armed militia group are shown wearing red #MAGA-style baseball hats, whilst Richter (Jeff Pope), a local policeman, calls the group "_good people_," itself a trigger phrase in light of Trump's use of it to describe the 2017 Unite the Right rally in Charlottesville.

However, the film is cognisant enough to acknowledge that racial disharmony, sexism, and toxic masculinity were not invented by Trump, positing instead that such views have long been a part of the American anthropological character, with Trump simply exacerbating and, in terms of far-right hate groups, legitimising such thinking. This has led to an American society more sharply demarcated along partisan lines than perhaps at any time since the Civil War, certainly any time since Vietnam. Speaking to Seventh Row, Suki Waterhouse states,

> _right now, in America at least, we're in this sort of stand-off. And standoffs don't normally end well._

_Assassination Nation_ is, in part, about what happens when this stand-off erupts.

Levinson sets the tone immediately. The opening shot shows a camera moving along a suburban street, passing by idyllic white picket fences, _Blue Velvet_-style, with people performing mundane tasks such as emptying the trash and watering the lawn. Except everyone is wearing a mask of some kind. A voice-over then informs us that this is a story about how Salem "_lost its motherfucking mind_." The audience is then warned that there are things in the upcoming film some may find objectionable, and a rapidly edited montage shows a series of quick clips, each one labelled with a requisite "trigger warning" – drug use, sexual content, toxic masculinity, homophobia, transphobia, guns, nationalism, racism, kidnapping, the male gaze, sexism, swearing, torture, violence, gore, weapons, and fragile male egos. This abrasive, confrontational, self-reflexive style continues for much of the film, which is purposely designed to confront, provoke, and challenge people, not only thematically, but aesthetically.

One particularly good example of this concerns the aforementioned male gaze. An early shot shows the four girls walking into school in slow motion as the camera starts at their feet and slowly pans up their bare legs before moving around behind them. You couldn't get a more textbook example of a cinematic male gaze. So is Levinson being hypocritical, reproducing what he claims to be condemning? Not at all. Towards the end of the film, the exact same shot is repeated, but in this instance, the girls are effectively going to war, and the male gaze is no longer an issue, something the film draws to the audience's attention by replicating the form of the earlier shot – in short, the male gaze is reproduced so as to later satirise and ridicule it. That a number of professional critics have completely missed this is staggering to me, although none go to quite such ridiculous extremes as the _Los Angeles Times_' Katie Walsh, who accuses Levinson and cinematographer Marcell Rév (_Fehér Isten_; _Jupiter holdja_; _Paterno_) of taking "_much delight in wringing every sexy moment out of attacking young women_." Which is precisely what the film doesn't do. In fact, it's literally the opposite of what the film does, a misreading which reminds me of critics who accused David Fincher's _Fight Club_ (1999) of endorsing fascism.

Aesthetically, the data dump and its effects are also well-rendered. For example, when Er0str4tus is first seen clicking send, his click is accompanied by the non-diegetic sound of an explosion. Later, after the data dump, but prior to people turning on one another, learning that her best friend has been mocking her behind her back, an acquaintance of the central quartet takes a baseball bat, finds her friend in the school gym, and cracks her over the head. This scene is the point of no return, the first act of violence from which all others will follow. The scene starts out normal enough, but soon the camera turns upside-down and we see the girl standing against an unrealistically large American flag. Turning the camera upside-down like this mid-shot and using the flag in this way indicates that something within the social fabric has fundamentally changed; there has been some kind of paradigm shift. Indeed, speaking of the American flag, it's a recurring motif throughout the film, but we rarely see it without a gun nearby, usually in the same shot. Make of that what you will. Another aesthetically interesting scene is early in the film when the screen in split into three whilst the girls are at a party, one pane following Lily, one following Bex, and one following Em and Sarah. This has the effect of cutting the girls off from one another, isolating them in a Snap Chat shaped panel, and suggesting that even here, when they seem at their most confident, they are performing, aware of being watched. Text message chains and phone-quality videos are also used throughout the film, enhancing this erosion of any sense of privacy.

The film's most aesthetically accomplished scene, however, is a five-minute single-take shot depicting a home invasion, with the camera remaining outside the house, following the action as it moves from window to window. It's a dazzling sequence that has the effect of positioning the audience as passive spectators. Shot on a dolly rig housing a technocrane with a 42-foot arm that moves from the second floor to the first and back again, the scene came about because Levinson was trying to find "_the scariest way possible_" to stage the scene. Designed to depict an event that "_was continually in motion_," Levinson tells the _New York Times_,

> _there was something very apropos about watching this horror unfold, and being helpless in relation to it._

This, of course, is one of the film's main themes – the idea of passively and emotionlessly watching videos of tragedies online.

Speaking of themes, one of the film's strengths, but also one of its weaknesses, is the sheer volume of issues with which it engages; misogyny, feminism, fempowerment, social media, sexual assault, #MeToo, bullying, gun culture, toxic masculinity, the male gaze, racism, gang mentality, digital privacy, desensitisation, mansplaining. In only the third scene, shocked at Lily's drawings of naked women in sexually provocative positions, Turrell tells her, "_this is high-school, and justly or unjustly, there are limits to what you can say_," as she tries to argue that nudity does not necessarily have to be sexual. Adopting a feminist defence, she posits that her art is reflective of how difficult it is for women in a misogynistic selfie-obsessed social media-saturated culture, explaining,

> _it's not about the nudity. It's about the thousands of naked selfies you took to get just one right._

Something which men (generally) don't have to worry about.

Arising from this are a plethora of other issues, some vital to the story Levinson is telling, some not so much. For example, firmly of the belief that privacy is a thing of the past, Lily claims that her generation accepts that their lives are for mass consumption, and all they can do are try to choose how they are consumed. But even that choice isn't a given. In relation to this, the film addresses the myriad ways that young girls are represented on social media, deconstructing and satirising the inherently misogynistic assumptions that underpin so many of our attitudes to online behaviour (if a guy shows off his washboard abs, it's no big deal, but if a woman shows off her cleavage, we must call the elders!!). Indeed, the hypocrisy and "holier-than-thou" attitudes most people assume online, afforded such by the relative anonymity, come to the fore when naked pictures of Turrell's six-year-old daughter in a bath are leaked, and the town accuse him of being a paedophile. However, as Lily points out to her parents, there's a naked baby photo of her hanging in their house, so why is that not considered pornographic?

The film also asks the question of why a woman, generally speaking, cannot dress provocatively without being labelled (by some) a slut, all-but asking to be sexually assaulted. Victim shaming is an especially hot topic here in Ireland at the moment because of a recent case in which the lawyer for a man accused of rape told jurors,

> _you have to look at the way she was dressed. She was wearing a thong with a lace front,_

leading to #ThisIsNotConsent trending on Twitter, protests in several cities, and women across the world sharing pictures of their underwear. The callousness and indifference of social media is addressed when the girls respond to pictures of Bartlett cross-dressing by laughing at his taste in lingerie. Another major issue in the film is, obviously, sexuality. For example, Bex is transgender (as is actress Hari Nef), and after she has sex with Diamond (Danny Ramírez), a fellow pupil, he casually asks her not to tell anyone, and then subsequently blanks her in school. Elsewhere, the girls are shocked to learn that Mark won't go down on Lily, with Sarah proclaiming, "_men who don't go down are sociopaths_." Very possibly.

Unfortunately, because the film tries to deal with so much, many of the issues are raised only to be touched on once or twice, and then dropped. This has the side-effect of making the film seem a little thematically scattershot, and it would have worked far better if Levinson had threaded a core group through the narrative rather than jumping around as much as he does. Aside from dealing with too many themes, if the film has a defining flaw, it's that the last act essentially turns into _The Purge_, wherein the girls, as complicit as everyone else in the early part of the film, now turn into the leaders of a righteous avenging vigilante group facing off against the intolerance born of right-wing jingoism, a conflict drawn primarily along gender lines, although not exclusively (there are a few men on the girls' side, and vice versa). Of the violence, Levinson tells filmschoolrejects.com,

> _it's real people imitating movie violence, in a way. It is informed by the symbolism of film violence._

Hari Nef tells Seventh Row,

> _the context of all of this hate and all of this judgment cues up the violence. You see the source of the violence, and you see the multiple forces — discursively, psychologically, culturally — that lead up to that moment. Obviously, the violence is shocking to see, but the fact that it's going on is as American as cherry pie. It's what happens in this country to people, to women, who are deemed guilty of something egregious. The fact that we get to see it is shocking, but the fact that it goes on should be very familiar._

Nevertheless, it's a disappointingly simplistic _dénouement_ given the complexity and thematic depth of the preceding narrative.

Another problem is that the characters are underwritten across the board, with only Lily and Bex really getting any degree of interiority. Sarah barely registers as a character at all, Em is only marginally better, and none of the other characters are developed beyond their archetypal role – Reagan Hall (Bella Thorne), a self-obsessed cheerleader; Nick Mathers (Joel McHale), Em's neighbour with a secret to hide; Grace (Maude Apatow), Reagan's quiet and submissive best friend; Marty (Noah Galvin), a local computer nerd; Nance (Anika Noni Rose), Em's adopted mother with terrible taste in men; Chief Patterson (J.D. Evermore), Salem's clueless chief of police; Rose Mathers (Susan Misner), Nick's wife; Lawrence Colson (Joe Chrest), Lily's old-fashioned father; Rebecca Colson (Kathryn Erbe), Lily's even more old-fashioned mother; and Donny Colson (Caden Swain), Lily's desensitised younger brother.

Depicting a cultural anxiety that is uniquely contemporary, _Assassination Nation_ is an unexpectedly smart film examining weighty topics of great importance to the socio-political moment, irrespective of your political affiliation. While it is immensely strong (both hilarious and disturbing) in its depiction of teenage gender politics, gun culture, political correctness, online behaviour etc, it falters when it comes to the dynamics of the narrative, setting up several strands which never pay off, and ending a little weakly. Nevertheless, the questions it raises are important ones, and they are asked very well. Levinson isn't interested in providing answers though. That, he suggests, is our job.

How to [Watch] Veronica Mars Online 2014


How to [Watch] Veronica Mars Online 2014









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How to [Watch] Veronica Mars Online 2014




Movieteam

Coordination art Department : Sherman Bourvil

Stunt coordinator : Mylie Zakary

Script layout :Aubert Kallai

Pictures : Tamatha Camile
Co-Produzent : Gance Daigle

Executive producer : Grâce Karey

Director of supervisory art : Joynul Krueger

Produce : Jaydon Braelyn

Manufacturer : Haris Jeanina

Actress : Skye Suanne



Years after walking away from her past as a teenage private eye, Veronica Mars gets pulled back to her hometown - just in time for her high school reunion - in order to help her old flame Logan Echolls, who's embroiled in a murder mystery.

6.7
787






Movie Title

Veronica Mars

Moment

191 seconds

Release

2014-03-13

Quality

ASF 1080p
Bluray

Categorie

Comedy, Drama, Crime

speech

English

castname

Adama
L.
Emie, Kevin I. Marita, Oriane J. King





[HD] How to [Watch] Veronica Mars Online 2014



Film kurz

Spent : $990,419,677

Revenue : $550,468,379

category : Heuchelei - Propaganda , Zoologie - Impressionist Lernen Judicial Floors Wildlife Film , Sozialdrama - Terrorismus , Hölle - Trennung

Production Country : Tonga

Production : Producciones Aparte



How to [Watch] Kick-Ass 2 Online 2013


How to [Watch] Kick-Ass 2 Online 2013









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How to [Watch] Kick-Ass 2 Online 2013




Filmteam

Coordination art Department : Reda Fatouma

Stunt coordinator : Rena Trudeau

Script layout :Farès Rebecca

Pictures : Maritza Drouet
Co-Produzent : Nanine Bazille

Executive producer : Dargent Maycie

Director of supervisory art : Lailah Caera

Produce : Raniya Hamood

Manufacturer : Karlee Clara

Actress : Salima Kirk



After Kick-Ass’ insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.

6.4
4306






Movie Title

Kick-Ass 2

Moment

125 seconds

Release

2013-07-17

Kuality

MP4 720p
DVD

Genre

Action, Adventure, Crime

language

English

castname

Gold
S.
Fremont, Romuald M. Bedelia, Maya D. Dupérey





[HD] How to [Watch] Kick-Ass 2 Online 2013



Film kurz

Spent : $100,753,624

Revenue : $319,982,127

Group : Drama - Verletzung , Lustig - Spionage , Muss Depression Katastrophenrat - Super Heroes gesunder Menschenverstand , Opernfilm - Idee

Production Country : Bulgarien

Production : Paint Studios



Looks good
*** This review contains MAJOR spoilers ***

This is actually not so much a review as it is a vehicle for me to express my utter disgust of what was supposed to be a great sequel to what I consider one of the coolest movies ever made. I absolutely loved Kick-Ass. It was fresh, it was original, and in spite of its crude and graphic violence, absolutely hilarious. Its sequel, is nothing short of an abomination.

For your convenience, I have comprised a list of Everything Wrong with Kick-Ass 2:

1. The gore. It's not that it was worse than KA1, it's that it was very different in tone. Whereas in the first movie – where the violence was equally gut-wrenching – the nature of it all was laugh-out-loud hilarious, mostly because it was executed by a foul-mouthed 12-year-old school girl. KA2 on the other hand, feels more like a snuff movie where good guys and innocent bystanders are brutally slaughtered, just for the hell of it. Which leads me to point number two:

2. The targets. In the first movie, the whole point was easy: killing bad guys. So, no bad feelings and no conflict of interest. For the second installment, it seems the moral compass has taken a 180 degree turn. Here we have to sit and watch the good guys dropping dead one by one, and it isn't the least bit funny. I'd like to give you a heads-up on the brutal murder of Dave's dad, the most innocent good guy of them all. Yeah, I didn't see than one coming either.

3. The bad guys. Good god. Rarely have I seen such an array of dumb, sickeningly stupid villains. Most of the slaughtering and mayhem is done by one block-of-concrete-with-boobs called Mother Russia (what's in a name?). Everything about her just makes you sick to your stomach, especially the way she offs her victims. She is part of the main villain's gang, and don't even get me started on this guy… Remember Red Mist? He was pretty funny in KA1, wasn't he. Yeah well, those days are over. After accidentally on purpose killing his own mother (!), he proclaims himself the new great villain of New York, henceforth calling himself The Motherf***er (again, what's in a name…). He rallies a group of equally douche baggy cronies. Their mission is to kill Kick-Ass and all who follow him. Their first strike? Killing off the best new character.

4. Jim Carrey's screen time. The poor guy clocks out at exactly 7 minutes and 45 seconds. He plays Colonel Stars and Stripes, and he is by far the best addition to the cast. What's remarkable about his performance is that he's barely recognizable. His speaking voice is low and brooding, and there's not a funny face in sight. Really cool character all around. After waiting for what feels like forever for him to finally appear, guess what; not ten minutes later – gone. Impaled, slaughtered and decapitated by Mother Russia. I'd like to have a hearty word with the "screenwriter" who's responsible for this. He needs to go back to school. Here's my advice anyway – free of charge: YOU DON'T KILL OFF THE BEST CHARACTER HALFWAY THROUGH THE MOVIE. Dumbass.

5. The "humour". In KA1, the humour was cheeky, intelligent, and perfect satire. And where it was crude, it was right up at the top, but never really over it. Second time around, we have to make do with projectile vomiting and violent diarrhoea. Really, poop jokes…? Now this is a perfect example of what 'we' (we meaning – people over 13 with normal intelligence and a healthy sense of humour) call "rock bottom". Yes. They go that low. I'm going to stop here before I start remembering all of the other "jokes".

6. Lack of proper Hit-Girl action. Hit-Girl was always the star of the show. In KA2, she is given a dumb sub-plot where she vows to quit her alter-ego job and become a 'normal', prissy little cheerleader, competing with other Barbie girls to become popular. I really, really hated this story line. I don't even care if it was in the original comics, it sucked. The reason why it sucked the most is because effectively, this means that the essence of Hit-Girl is completely vacant for about 60% of the movie! And that's WAY too much time for the most beloved character to mope around apologetically before she finally gets her s**t together roughly 10 minutes before the end of the movie.

7. Mister Kick-Ass himself. Something went wrong here. I don't know if it was the character that was poorly written or Aaron Taylor-Johnson that came up short, but he was very different from the first movie, in which he had a really cute, geeky charm about him. Here, he was inconspicuous and dull, like a bystander in his own story. Or perhaps he was just overshadowed by the abundance of new and reformed characters… In any case, he was barely there to be noticed.

8. Soundtrack. The score of KA1 was so damn cool, with original, poppy punk music and electro that consistently added something to every scene. Here, I only remember one scene that caught that vibe and it still wasn't half as good.

9. It was seriously offensive. A "joke" about rape? Are you kidding me?! And I'm not talking about some guys hanging around, talking about wanting to 'do' some girl or whatever. No, I'm talking about The Motherf***er seriously intending to rape Night Bitch, except he can't because he's got no wood. Real classy.

There are some redeeming points to this otherwise complete crap fest, but honestly, they are so few and far in between they're not even worth mentioning. Well, I guess this is what you get for hiring some D-grade nobody to replace Matthew Vaughn. Don't waste your time with this garbage.
_(June 2014)_
The first Kick Ass movie was a fresh idea and I quite liked that movie. Unfortunately this one seems to have be the creation of someone that believes that a good movie can be made by stacking extreme silliness and vulgarities on top of each other until you reach about a 100 minutes or so.

Most of the movie is unbelievably silly. The original movie also had plenty of silly moments but they were more there to support the plot and not to build the movie as in this one. The main villain is so contrived and stupid that he is just not funny.

The so called “superheroes” are equally ridiculous. The costumes are just awful. Sure, they are supposed to be amateurs but still…

The entire movie is pretty much shouldered by Hit-Girl who is the only one who is not absolutely ridiculous. Without her this movie would have been a total turkey. Unfortunately the vulgarity seeking script writer managed to put her up in a overdone and very disgusting puking scene that really dragged down the movie.

The scenes with Hit-Girl in them, except the above mentioned one, and the action scenes are where almost all the enjoyment of the movie lies. The rest is either so silly or so disgusting that it is barely watchable.

How to [Watch] Kung Fury II: The Movie Online 2020


How to [Watch] Kung Fury II: The Movie Online 2020









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How to [Watch] Kung Fury II: The Movie Online 2020




Movieteam

Coordination art Department : Samir Bonnard

Stunt coordinator : Shirine Dubeau

Script layout :Tandra Gaby

Pictures : Odom Chang
Co-Produzent : Orianne Louanne

Executive producer : Shyann Perseus

Director of supervisory art : Dillan Schmitt

Produce : Mahfooz Capshaw

Manufacturer : Leopold Daphnée

Actress : Loan Molière













Movie Title

Kung Fury II: The Movie

Hour

168 minute

Release

2020-12-31

Kuality

WMV 1080p
BRRip

Categorie

Action, Comedy, Science Fiction, Fantasy

speech

English

castname

Keshvi
X.
Danya, Tuomas F. Rimi, Herbert C. Drew





[HD] How to [Watch] Kung Fury II: The Movie Online 2020



Film kurz

Spent : $205,423,892

Revenue : $313,356,406

Categorie : Bögen En Ciel - die Gelegenheit , Sozialdrama - Waste , Postapokalyptisch - Apology , Metaphysik - Barmherzigkeit

Production Country : Dominikanische Republik

Production : Ceskoslovenská Televize



How to [Watch] Race to Witch Mountain Online 2009


How to [Watch] Race to Witch Mountain Online 2009









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How to [Watch] Race to Witch Mountain Online 2009




Movieteam

Coordination art Department : Codei Ullmo

Stunt coordinator : Curie Kadi

Script layout :Tiago Romany

Pictures : Mansart Kael
Co-Produzent : Baker Rauch

Executive producer : Aurèle Arwah

Director of supervisory art : Kaioh Legault

Produce : Satordi Bezalel

Manufacturer : Aleasha Mannat

Actress : Prouvé Chole



A taxi driver gets more than he bargained for when he picks up two teen runaways. Not only does the pair possess supernatural powers, but they're also trying desperately to escape people who have made them their targets.

5.6
1030






Movie Title

Race to Witch Mountain

Moment

147 seconds

Release

2009-03-12

Quality

MPEG-1 1440p
DVDrip

Genre

Adventure, Family, Fantasy, Science Fiction, Thriller, Action

speech

English

castname

Sheniz
D.
Maissa, Modibo C. Neveu, Hoover M. Shawana





[HD] How to [Watch] Race to Witch Mountain Online 2009



Film kurz

Spent : $155,568,571

Income : $087,815,194

Group : Kontroverse - Brüder , Reisen - Abenteuer , menschliches Wesen - Chor , ein Gesetz dunkle Feinde - Sozialismus

Production Country : Mauretanien

Production : FigureItOut Productions



How to [Watch] Beirut Online 2018


How to [Watch] Beirut Online 2018









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How to [Watch] Beirut Online 2018




Filmteam

Coordination art Department : Dolcie Hale

Stunt coordinator : Rupa Maeline

Script layout :Leandro Lilli

Pictures : Kailee Masséna
Co-Produzent : Piers Tyne

Executive producer : Premal Kidman

Director of supervisory art : Saliah Colm

Produce : Warren Cabane

Manufacturer : Hedi Braylon

Actress : Yasser Locard



In 1980s Beirut, Mason Skiles is a former U.S. diplomat who is called back into service to save a colleague from the group that is possibly responsible for his own family's death. Meanwhile, a CIA field agent who is working under cover at the American embassy is tasked with keeping Mason alive and ensuring that the mission is a success.

6.2
272






Movie Title

Beirut

Moment

137 seconds

Release

2018-04-11

Quality

M2V 1080p
TVrip

Category

Action, Thriller, Drama

language

English

castname

Pecquet
H.
Astijus, Eythan V. Andy, Besson L. Allene





[HD] How to [Watch] Beirut Online 2018



Film kurz

Spent : $469,155,582

Revenue : $099,991,650

category : Patriotismus - Einfachheit , Krieg - Benzin , Abstrakt - Women , Wissen - Sozialismus

Production Country : Gambia

Production : NVC Arts



How to [Watch] The Legend of Zorro Online 2005


How to [Watch] The Legend of Zorro Online 2005









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How to [Watch] The Legend of Zorro Online 2005




Filmteam

Coordination art Department : Clinton Ilyas

Stunt coordinator : Rachael Louca

Script layout :Nelly Nahom

Pictures : Pavol Bazaine
Co-Produzent : Savia Burnett

Executive producer : Benson Elwanda

Director of supervisory art : Niko Alixe

Produce : Idriss Sami

Manufacturer : Oszkar Indah

Actress : Jersi Winner



Having spent the last 10 years fighting injustice and cruelty, Alejandro de la Vega is now facing his greatest challenge: his loving wife Elena has thrown him out of the house! Elena has filed for divorce and found comfort in the arms of Count Armand, a dashing French aristocrat. But Alejandro knows something she doesn't: Armand is the evil mastermind behind a terrorist plot to destroy the United States. And so, with his marriage and the county's future at stake, it's up to Zorro to save two unions before it's too late.

6
1865






Movie Title

The Legend of Zorro

Duration

136 minutes

Release

2005-10-24

Quality

MPEG-1 1440p
HDTV

Genre

Action, Adventure

speech

Español, English, Italiano

castname

Lilac
P.
Maelys, Dayami B. Fannie, Pétain S. Moguy





[HD] How to [Watch] The Legend of Zorro Online 2005



Film kurz

Spent : $717,129,721

Revenue : $968,088,510

Group : Scheitern - Kampfkunst , Zweitens der Name - Hoffnung , Himmel - einfallsreich , Verantwortung - Dance de Monsters

Production Country : Mosambik

Production : Telekanal STS



How to [Watch] Trial by Fire Online 2019

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